Who is the blonde in Indiana Jones and the Last Crusade? What happened to Short Round Indiana Jones? Is Temple of Doom real? Why is Indiana Jones not on Disney plus?
Will there be a Indiana Jones 5? What was the artifact in Temple of Doom? What was Indiana Jones after in Temple of Doom? Is pankot palace real? Why did they call him Short Round? Is Mutt Williams Indiana Jones son? Is Temple of Doom offensive? Did Elsa sleep with Henry Jones? The persons and events in this film are ficitious.
Any similarity to actual persons or events is unintentional. This motion picture is protected under the laws of the United States and other countries. Unauthorized duplication, distribution or exhibition may result in civil liability and criminal prosecution. A sequence in Shanghai where Indiana Jones uses a rolling gong to shield himself from machine-gun fire , a ride down a mountainside in an inflatable life raft to escape a crashing plane, and a mine cart chase were all written into Raiders ' first draft.
Although he had heard rumblings that Raiders II was going be a prequel, Kasdan was not involved with the screenplay. The Indiana Jones follow-up would instead be penned by husband-and-wife writing team Willard Huyck and Gloria Katz with whom Lucas was working to develop Radioland Murders A dance number considered during Radioland Murders ' lengthy gestation period would eventually make its way into the opening sequence of Temple of Doom.
Macau served as a substitute for Shanghai. There was a denial of filming in North India and Amber Fort due to the Indian government finding racism and offense in the script and demanding changes. This led to the filming of India in Kandy, Sri Lanka. While the film takes place in , sources vary on the exact time placement. Due to the graphic scenes, dark theme, and cultic overtones, this film received mixed reviews from many critics. The film is much darker in tone than its predecessor a fact which Lucas attributes to the messy divorce he was going through during the film's production , and has been criticized for being overly violent and scary, as well as for its gross misrepresentations of Indian culture.
Despite its PG rating, it is the darkest Indiana Jones film. It also had been praised for being different to the other films and Mola Ram is considered by even the hardest-to-please critics to be the best Indy enemy to date. Some fairly gruesome scenes in Temple of Doom, as well as other PG-rated films of the time such as Gremlins another film of Spielberg 's caused a significant public outcry. Spielberg spoke to the MPAA about creating a new rating covering the middle ground between a clear PG and a clear R that his films often found themselves on.
This led to the creation of a new rating category: PG The film has very violent scenes, scenes with bugs which can be disturbing to people with Entomophobia , a particularly graphic scene involving cardiectomy and, just like Raiders, the casual use of profanity.
There was a novelization of the movie released in by James Kahn along with a junior version adapted by Les Martin. Kahn's novel was republished as part of The Adventures of Indiana Jones to coincide with the release of Indiana Jones and the Kingdom of the Crystal Skull in , but an entirely new young adult adaptation , penned by Suzanne Weyn , was also released. The film was released on VHS, Beta and laserdisc in It was later reissued on DVD in and , and Blu-ray in The line was very short-lived and only had three figures.
A new Temple of Doom toyline was released by Hasbro in September Indiana Jones Wiki Explore. Main Page All Pages Community. Home video Soundtracks Magazines Toys.
Explore Wikis Community Central. Register Don't have an account? Indiana Jones and the Temple of Doom. Edit source History Talk 0. For other uses, see Indiana Jones and the Temple of Doom disambiguation. Michael Moore Choreography David Tomblin Production Supervisor John Davis Production Manager Patricia Carr Second Assistant Directors Louis Race Second Assistant Director Louis G.
Friedman Sound Design Ben Burtt Visual Effects Supervisor Dennis Muren Mechanical Effects Supervisor George Gibbs Stunt Arranger Studio Vic Armstrong Stunt Arranger Location Glenn Randall Production Controller Arthur Carroll Marketing and Promotion Sidney Ganis Script Supervisors Linda Rabin Additional Photography Nobby Godden Sound Mixer Simon Kaye Boom Operator David Sutton Sound Maintenance Taffy Haines Chief Art Director Alan Cassie Art Director Roger Cain Set Director Peter Howitt Assistant Art Directors Edward Verreaux , Andrew G.
Probert Draughtsman Richard Holland Construction Manager Bill Welch Property Master Barry Wilkinson Scenic Artist Ted Mitchell Production Buyer John Lanzer Chief Modeller Derek Howarth Modellers Richard Conway Floor Effects Supervisor Bob Wiesinger Wardrobe Supervisor Ron Beck Assistant Costume Supervisor Joanna Johnston Wardrobe Mistress Janet Tebrooke Wardrobe Master Patrick Wheatley Makeup Supervisor Tom Smith Chief Makeup Artist Peter Robb-King Makeup Artists Colin Jamison Hairdresser Janet Jamison Unit Publicist Susan D'Arcy Stillsman Re-Recording Mixers Laurel Ladevich Dialogue Editors Gloria S.
Dennie Thorpe Audio Engineers Howard W. James Kessler , Catherine Coombs , K. Kenneth Wannberg Music Recording Mixer Lyle Burbridge Orchestrations Herb Spencer Music Recording Consultant Peter Howard Assistant Choreographer Caroline Hamilton Production Accountant George Marshall Location Accountant Stefano Priori Assistant Production Accountant Tony Miller Assistant to Production Controller Barbara Harley Research Deborah Fine Indian Advisor Cristi Janaki Rathod Assistant to Mr.
Jane Bay Assistant to Mr. Mary T. Radford Assistant to Ms. Thanks to the Thuggee cult and Mola Ram, Temple of Doom became an outlier of the series, making it as memorable as it is fun. For now, there is no concrete synopsis for the next film in the franchise, but recent set photos show that Nazis will once again be playing a part in the series, and whether it'll be large or small remains to be seen.
Indiana Jones and the Temple of Doom is a visually vibrant film born from a desire to avoid sameness. While future entries didn't follow that idea, the film proves that not all franchises need a serialized narrative to succeed. He has written for other sites like Animemojo.
When not writing you can find him with his lovely girlfriend, cooking, reading comics, or collecting any new Star Wars Black Series, Marvel Legend, or Transformer. By Nicholas Brooks Published Jun 11, Share Share Tweet Email 0.
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