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House Husbands. Start your 30 day free trial. Episode 3 Gemma is offered a promotion and Lewis agrees to put his return to business on the backburner in order to support her in her new role.

Episode 4 Abi struggles juggling being a mum and a busy doctor. Screen Australia is not responsible for and does not endorse any Third Party Sites' use, effect or content or any associated organisation, product or service on the third party site.

I understand, take me to. Project-specific support provided by Screen Australia's development programs since the agency's inception in July Project-specific support provided by Screen Australia's production investment programs since the agency's inception in July Includes investments, loans and grants. Shortly this will also incorporate project-specific market and festival support provided by Screen Australia since its inception in July Fans of Love Child and House Husbands can breathe a sigh of relief, knowing they'll be back next year.

But alongside the old faves, Channel Nine has a slab of new shows coming up too. Where production has occurred, very few have gone to a second series in the same territory, and generally that has to happen for there to be any chance of real upside.

Natalie Saleeba Abi as Abi. Lily Jones Poppy as Poppy. Madison Torres-Davy Tilda as Tilda. Riley Webb Zac as Zac. Gyton Grantley Kane as Kane. Edwina Royce Stella as Stella. Fletcher Grant Jacob as Jacob. Anna McGahan Lucy as Lucy.

Allegra Volange Angie as Angie. Ben Crundwell Finn as Finn. Georgia Flood Phoebe as Phoebe. Jane Allsop Rachel as Rachel. Tim Campbell Tom as Tom. More like this. Watch options. The Chicken Littles of the Australian media love speculating about the always imminent demise apparently of our screen industry. Its death, as the saying goes, has been greatly exaggerated. But in the current climate, things are admittedly a little different — and circumstances more concerning — than the previous one million times the end was supposedly nigh.

Scripted productions are, in a word, expensive. Reality TV, on the other hand, is much cheaper and often much more popular. Australians have an unnatural obsession with the junk food of the TV world: shows about amateur chefs assembling oatmeal prawns and D-grade celebrities loitering in the jungle. From a financial perspective it is hardly surprising that a company such as Nine — that cares about cost, not value — will happily axe narrative programs, and greenlight more shows about marrying strangers and stumbling through obstacle courses.

It is perhaps also no surprise that our taxpayer-funded broadcasters are leading the way in high-quality content. If you think Netflix, supplier of vast amounts of scripted programming, will come to the rescue, think again. Australians are gaga for the streaming giant, with at least one in three of us having subscriptions.